Jakkai Siributr: Karma Cash & Carry

Installation View
Installation View
"Karma Cash & Carry" exhibition at Tyler Rollins Fine Art
Installation View
Installation View
"Karma Cash & Carry" exhibition at Tyler Rollins Fine Art
Installation View
Installation View
"Karma Cash & Carry" exhibition at Tyler Rollins Fine Art
Yantra
Yantra , 2010
mixed fabrics and sequins on canvas
64 x 63 in.
Fast Money I
Fast Money I, 2010
mixed fabrics and sequins on canvas
49 x 43 in.
Fast Money II
Fast Money II, 2010
mixed fabrics and sequins on canvas
43 x 41 in.
Karma Cash & Carry
Karma Cash & Carry , 2010
Assemblage of Bamboo and Eucalyptus, and found objects, some with gold leaf
Dimensions Variable (Approx. 59 x 47 x 39 in.)
Recession
Recession, 2010
various materials, safety pins, thread, found objects
122 x 106 in.
Memento Mori
Memento Mori, 2010
Embroidery on canvas and various fabrics
46 1/2 x 58 in.
Jataka
Jataka, 2010
mixed media on canvas
74 1/2 x 78 1/2 in.
Yantra II
Yantra II, 2010
mixed fabrics and sequins on canvas
42 1/2 x 43 in.
Somdet
Somdet, 2010
amulets and thread
34 1/2 x 36 1/2 in.
Red Buddha
Red Buddha, 2010
crochet, bumperstickers, thread
84 1/2 x 84 1/2 in.
1893
1893, 2010
embroidery on canvas and various fabrics
50 x 70 in.
18/28
18/28, 2010
video, metal box, figurines
42 1/2 H x 23 1/2 W x 23 1.2 D

Jakkai Siributr is one of Southeast Asia’s leading contemporary artists working primarily in the textile medium. His fascination with textiles and embroidery began as a child in Bangkok, and he went on to study textile design in college and graduate school in the United States before returning to Thailand. He is noted for producing meticulously handmade tapestry and installation works that make powerful statements about religious, social, and political issues in contemporary Thailand. A main preoccupation of his art is the interaction of Buddhism and materialism in modern life, and the everyday popular culture of Thailand.

Karma Cash & Carry features a new series of textile compositions alongside installation and video works. Alluding to the way contemporary Thai popular religion incorporates such practices as fortune telling and winning lottery number prediction, Jakkai organizes the exhibition around his conception of a karmic convenience store, where merit can be bought and sold. He makes use of found objects associated with bringing good fortune, integrating them into his elaborate compositions of Thai fabrics, embroidery, and hand stitched sequined work.

Jakkai’s hand stitching is an incredibly detailed and time consuming process – which he likens to a meditative practice – and this limits his annual production to only a handful of works. He maintains a rigorous connection to traditional Thai craft techniques while making a strong commentary on contemporary issues. The current exhibition marks a continued exploration of new themes and technical formats, with textile works that break out of the rectilinear tapestry form to create free-flowing shapes. He also introduces video for the first time in his oeuvre, as well as larger scale sculptural installation work.

Jakkai has received increasing critical attention since his 2008 solo exhibition with Tyler Rollins Fine Art. A highlight of 2009 was his participation as a featured artist in the 2009 Asian Art Biennial at the National Taiwan Museum of Fine Arts, where was shown with noted artists from across Asia, such as Subodh Gupta and Xu Bing. A group exhibition in Thailand presented his works alongside those of multimedia artists from Thailand and India. And in the United States, his works were on exhibit in Miami and at the Rubin Museum in New York. We are pleased to have him back in New York for his second solo exhibition here at the gallery.

CATALOGUE ESSAY
Please click here to view the exhibition catalogue essay by Steven Pettifor.