ABOUT THE ARTIST

One of Indonesia’s most seminal and respected contemporary artists, Arahmaiani has long been internationally recognized for her powerful and provocative commentaries on social, political, and cultural issues. Born in 1961 in Bandung, Indonesia, she established herself in the 1980s as a pioneer in the field of performance art in Southeast Asia, although her practice also incorporates a wide variety of media. For the past six years, a particular focus of her work has been environmental issues in the Tibetan plateau region, where she has been actively collaborating on-site with Buddhist monks and villagers to foster greater environmental consciousness through an array of ongoing community projects. Shadow of the Past (2016) at Tyler Rollins Fine Art marked the first solo exhibition devoted to her artworks inspired by her ongoing experiences in Tibet, and featured a new installation and video works alongside a series of paintings. The exhibition explored themes of spirituality (particularly informed by Tibetan Buddhism), cultural syncretism, humanity’s interconnectedness with nature, and the place of the feminine in religious traditions and in spiritual life in general. Arahmaiani is fascinated by the buried past of her native Java, its rich Hindu-Buddhist cultural heritage – which is now often under-recognized – and the monumental temples that were overgrown for centuries until their rediscovery in more recent times. Indonesia once had vital centers of Buddhist learning that were sought out by students from across Asia, including Atisha (982–1054), who became one of Tibet’s most revered lamas. Tibet has become an important part of Arahmaini’s own spiritual journey, both as a woman and a Javanese Muslim. The exhibition featured an installation, Descending Rainbow, that was inspired by her meditation practice and her focus on ecology and the feminine. The installation was also the setting for a new performance work of the same title, which had its debut during the exhibition opening.

This exhibition was a follow up to Fertility of the Mind, Arahmaiani’s first solo exhibition in the United States, which took place at Tyler Rollins Fine Art in 2014 and presented the first ever survey of over 30 years of her performance work. These performances foreground a long and enduring personal and spiritual journey, a process whereby nothing is spared, all is equally scrutinized. They constitute an ongoing exposé of narrow dogmas, destructive patterns of thought and action, and misguided government policies, all of which plague humanity – a critique that is manifested in her peaceful, symbolically rich, and often hauntingly beautiful ceremonies, collective marches, and texts that instigate individual and collective vigilance against ignorance and injustice. They point to a common humanity that transcends divisions. Through her performances and other artworks, she acts as a formal and conceptual medium for communication, connectivity, and cooperation between individuals, communities, and nations.

Since 1980, Arahmaiani has been included in over one hundred solo and group exhibitions around the world. Her works have been performed and exhibited widely in museums and biennials, including: the Venice Biennale (2003); Biennale of the Moving Image, Geneva (2003); Gwangju Biennale (2002); Bienal de São Paulo (2002); Performance Biennale, Israel (2001); Biennale de Lyon (2000); Werkleitz Biennale (2000); Bienal de la Habana (1997); Asia-Pacific Triennial, Brisbane, Australia (1996); and the Yogya Biennial (1994). In New York City, she was included in the landmark 1996 exhibition, Traditions/Tensions, at Asia Society, as well as Global Feminisms at the Brooklyn Museum in 2007. Her performances and other artworks have recently appeared in institutions in the United States, Canada, Germany, the Netherlands, Japan, and Indonesia.

The Jakarta Post, Arahmaiani shortlisted for Balestier Award

January, 2017


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Art Radar, “Shadow of the Past:” Indonesian artist Arahmaiani at Tyler Rollins Fine Art, New York

October, 2016


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Blouin Artinfo, Datebook: Arahmaiani at Tyler Rollins Fine Art in New York

September, 2016


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Yeast – Art of Sharing

July, 2016


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Afterall, The Premise of Contradiction and Feminist Politics: Reflections on Arahmaiani’s Art and Life

2016


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Asia Society, Assuring Our Cultural Legacy in the 21st Century

2015


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Haus am Dom, Arahmaiani Violence No More A Retrospective

February, 2015


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Art Republik: The League of Extraordinary Collectors

July, 2014


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Art Asia Pacific, Fertility of the Mind

May, 2014


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Mommy, A Conversation with Arahmaiani

April, 2014


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Artnews, Fertility of the Mind

March, 2014


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New York Times, Fertility of the Mind

January, 2014


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creative-i, Arahmaiani

April, 2013


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Suspended Histories, Arahmaiani

January, 2013


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Art Asia Pacific, My Second Life in Tibet

2012


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Negotiating Home History and Nation, Arahmaiani

2011


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Video, an Art, a History: 1965-2010

2011


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MutualArt.com, Indonesian Women Artists

July, 2009


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MutualArt.com, New Trajectories

May, 2008


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Indonesian Women Artists: The Curtain Opens

August, 2007


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Global Feminisms, Arahmaiani

March, 2007


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Indonesian Contemporary Art Now, Arahmaiani

2007


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Taboo and Transgression in Contemporary Indonesian Art, Arahmaiani

2005


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NAFAS, Arahmaiani

August, 2003


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Art Asia Pacific, Passing through the fire

2000


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Traditions/Tensions, Arahmaiani

1996


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